Robert Beavers Movies

"From the Notebook of..." was shot in Florence and takes as its point of departure Leonardo da Vinci's notebooks and Paul Valéry's essay on da...

Beavers shot The Hedge Theatre in Rome in the 1980s. It is an intimate film inspired by the Baroque architecture and stone carvings of Francesco...

What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker/stonemason. A tower or ruin of remembrance....

Filmmaker Jonas Mekas films 160 underground film people over four decades.

“I walked into Bernice Hodges’s garden when I was seven years old and asked her to read to me. She was in her mid-seventies. Out of this...

Cutting and sewing as metaphors. Central to this work is the complex emotions surrounding love, separation, and the metonymic twinning of objects,...

Late afternoon quiet and a silent figure seated on a bench; the old factories and machinery, warehouses and train lines are part of Greece, now...

“My filming for The Suppliant was done in February 2003, while a guest in the Brooklyn Heights apartment of Jacques Dehornois. When I recollect...

Structured in nine tableaux each a study of a simple action or situation involving a lone, naked figure, the blind Eros, searching for fulfilment,...

Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also...

Avant-garde film by Robert Beavers. At first glance, this expression appears like a poetic riddle, but its practical relevance becomes quite obvious...

"Winged Dialogue details with growing clarity the desperate beauty and sexuality of the body animated by its soul, essence blindly reaching out,...

Early Monthly Segments, filmed when Beavers was 18 and 19 years old, now forms the opening to his film cycle, "My Hand Outstretched to the Winged...

In Palinode a disk-shaped matte continually shifting in and out of focus alternately blocks part of the image or contains it. Its respiratory rhythm...

“Ruskin visits the sites of (art critic) John Ruskin’s work: London, the Alps and, above all, Venice, where the camera’s attention...

The first film in Robert Beavers' Sotiros trilogy

“The details of the young actor’s face – his eyes, eyebrows, earlobe, chin, etc. – are set opposite the old buildings in the...

The second film in Robert Beavers' Sotiros trilogy

“A seed that floats in the air, a whirligig, a love charm. This magnificent landscape, both hot and dry, is far from sterile; rather, the heat...

Beavers’ starting point for this film was a question about how the places where he has lived influences how he sees. Beavers return to one or...